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This book is the first to explore the history of a powerful category of illicit sex in America's past: liaisons between Southern white women and black men. Martha Hodes tells a series of stories about such liaisons in the years before the Civil War, explores the complex ways in which white Southerners tolerated them in the slave South, and shows how and why these responses changed with emancipation. Hodes provides details of the wedding of a white servant-woman and a slave man in 1681, an antebellum rape accusation that uncovered a relationship between an unmarried white woman and a slave, and a divorce plea from a white farmer based on an adulterous affair between his wife and a neighborhood slave. Drawing on sources that include courtroom testimony, legislative petitions, pardon pleas, and congressional testimony, she presents the voices of the authorities, eyewitnesses, and the transgressors themselves -- and these voices seem to say that in the slave South, whites were not overwhelmingly concerned about such liaisons, beyond the racial and legal status of the children that were produced. Only with the advent of black freedom did the issue move beyond neighborhood dramas and into the arena of politics, becoming a much more serious taboo than it had ever been before. Hodes gives vivid examples of the violence that followed the upheaval of war, when black men and white women were targeted by the Ku Klux Klan and unprecedented white rage and terrorism against such liaisons began to erupt. An era of terror and lynchings was inaugurated, and the legacy of these sexual politics lingered well into the twentieth century. "A fascinating and important book, a persuasive and insightfulexploration of a volatile topic". -- Edward L.

In 1976, Kentucky state legislator Mae Street Kidd successfully sponsored a resolution ratifying the 13th, 14th, and 15th amendments to the U.S. Constitution. It was fitting that a black woman should initiate the state's formal repudiation of slavery; that it was Mrs. Kidd was all the more appropriate. Born in Millersburg, Kentucky, in 1904 to a black mother and a white father, Mae grew up to be a striking woman with fair skin and light hair. Sometimes accused of trying to pass for white in a segregated society, Mae felt that she was doing the opposite - choosing to assert her black identity. Passing for Black is her story, in her own words, of how she lived in this racial limbo and the obstacles it presented. As a Kentucky woman of color during a pioneering period of minority and women's rights, Mae Street Kidd seized every opportunity to get ahead. She attended a black boarding academy after high school and went on to become a successful businesswoman in the insurance and cosmetic industries in a time when few women, black or white, were able to compete in a male-dominated society. She also served with the American Red Cross in England during World War II. It was not until she was in her sixties that she turned to politics, sitting for seventeen years in the Kentucky General Assembly, where she crusaded vigorously for housing rights.

The Woman in the Window - Directed by Fritz Lang, The Woman in the Window, a black-and-white film noir, is the story of psychology professor Wanley (Edward G. Robinson), who, meets and falls in love with a younger woman (the movie's femme fatale).

Free, White and 21 - Free, White and 21 was a 1963 movie by self-proclaimed "schlockmeister", Larry Buchanan. It was based on the true story of the controversial trial of a black man accused of raping a white woman in Dallas, Texas in the 1960s.

His Kind of Woman - His Kind of Woman is a black-and-white 1951 film noir mystery film starring Robert Mitchum and Jane Russell. The film features notable supporting roles by Vincent Price, Raymond Burr, and Charles McGraw.

Woman on the Run - Woman on the Run is a 1950 black-and-white film noir directed by Norman Foster.

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