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Modern Library Harlem Renaissance What would happen to the race problem in America if black people turned white? Would everybody be happy? These questions and more are answered hilariously in Black No More, George S. Schuyler's satiric romp. Black No More is the story of Max Disher, a dapper black rogue of an insurance man who, through a scientific transformation process, becomes Matthew Fisher, a white man. Matt dreams up a scam that allows him to become the leader of the Knights of Nordica, a white supremacist group, as well as to marry the white woman who rejected him when he was black. Black No More is a hysterical exploration of race and all its self-serving definitions. If you can't beat them, turn into them. Ishmael Reed, one of today's top black satirists and the author of Mumbo Jumbo and Japanese by Spring, provides a spirited Introduction. The fertile artistic period now known as the Harlem Renaissance (1920- 1930) gave birth to many of the world-renowned masters of black literature and is the model for today's renaissance of black writers.

City of Light joins the recent reissues of four of Cyrus Colter's books by TriQuarterly Books/Northwestern University Press. Colter concludes his grand literary project with a work that is foremost a novel of ideas. Though City of Light may appear realistic in setting (contemporary Paris), with a well-differentiated cast of believable moment, each character nonetheless represents an idea or a position regarding the issue of race in American life. The ideas or positions range from black nationalism, drawing upon African models and an Afrocentric political position, to complete assimilation, presented here by the central character's love affair with a white woman. Paul Kessey, at age twenty-nine, is caught between two worlds. Although his is a privileged world of successful blacks in Chicago, and he is a graduate of Princeton, handsome and well-connected, Kessey is uncertain how to identify himself in relation to the African diaspora, partly because of his own light skin. Throughout his Parisian sojourn, he is both attracted and repelled by different ideas, attitudes, and concepts regarding the place of blacks in a white society; he goes back and forth among the persons -- and the ideas they represent -- and thus among contradictory possibilities of life as a black man. By intertwining in an intricate web racial, class, and political issues with the intense struggles of one man's heart, Colter presents a vivid portrait of the personal effects of prejudice and its hypocrisies. City of Light remains a daring push against the grain of American literary fashion, both in its method and in treating interracial relationships, Afrocentrism, and the black middle class.

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